![]() ![]() They recommend 512mb of ram though, and allocating 300mb as a ram disk for faster access and processing of clips. This mac only software needs a G3 or G4 computer to run it, and tested fine on a g3/333mhz machine with 384mb of ram. Enough? There’s more, but if you’re into video, hopefully you’re already checking this out. VDMX2 has excellent colour control, with each of red, green and blue levels easily adjustable, as well as saturation, a ‘font synth’ which cycles your fonts and texts through one of the channels, a recently added looping function, a vagabond mode which randomly cycles through parameters, the capacity to save overall settings as global presets, and easy recording to disk of mixes for reuse and further remixing. These effects are also controllable by VDMX2’s video oscillators – which link the effects parameters to their randomly generating numbers and allowing software control of parameter changes. ‘BPM’ detection happens by tapping the return key while listening to music you are making video to, and allows automated control of a range of effects. Dragging on the top half allows playback direction to be changed or the place on the timeline, while dragging on the bottom half allows to quickly adjust the playback rate of the clip. Alongside this, are several motion based controllers which manipulate clip playback in a variety of ways, and movie playback control by clicking and dragging on the top or bottom half of the middle screen. Vidi-yo breakbeat automatically cuts up clips into 32 parts, and allows specified parts of the clip to be played in particular order as time progresses, bringing real-time visual breakbeat to your fingertips with ease. Although it has several cool effects which are fun and easy to use, it’s strengths lie in it’s unique and well-thought out functions. ![]() Its well thought out interface allows this to be grasped quickly, while also offering much greater depth, complexity and flexibility as it becomes more familiar.Īs music visualisation software continues to flourish, VDMX2 brings to the table several features which distinguish it with unique capacities and flavour. Video performance with VDMX2 can be as simple as loading up a bank of clips to channel A+B, selecting clips for previewing in the left and right monitors, then adjusting effects and colour or motion controls on either clip, then cutting or mixing between clips, adjusting as you go. The middle window contains your output screen – eg what’s being delivered to your video projector, and a range of mixing controls, playback controls and time based functions underneath. ![]() The left and right windows display selected movies of live camera input, and a range of real-time effects parameters underneath. So how does a real-time software video mixer work? VDMX2 is broken up into 3 columns, each with a small video window. Vidvox tackle a range of experimental art and online projects, installations, and software, of which VDMX2 is their finest moment, hitting the mark well and solid. ![]() Written with the video programming language Nato, VDMX2 is an impressive software video mixer and real-time effects processor from the stable. Ever wanted to fake your own moonlanding? Interested in the terraforming of mars to create conditions suited to life? Wondered what it’d be like if other planets filled our views in the sky? You might like science fiction, and coincidentally may also dig the newest kid on the video software block, weighing in hefty in the mac corner, ladies and gentlemen, VDMX 2. ![]()
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